Stars come down in you and love, you can’t give it away

The following entry may contain triggering material.

My corporeal roommate Cecil recently asked me how I’d planned to kill myself. I’d made numerous attempts, all emotionally serious of course, in the unutterably bleakest mindset—but, not serious in the sense that I’m alive today because I’d been transported unconscious to some hospital; that hadn’t happened. So, from the outside, I was just making up exaggerated stories so that my whinging would get more serious attention, and my melancholy laziness excused (though my birth family would have held that same attitude otherwise, I’m certain.) From the inside, I had tidied away every trace of my history, spent the wee hours of each morning in the bathtub with a kitchen knife to my neck and failing to lean into it enough to break skin; considered bleach, oven gas, what to overdose on, starvation; on the morning of my 18th birthday I’d tried to jump off the balcony of the 22nd floor—planned for it, left everything that had been mine in the stairwell garbage, so there was nothing for me to go back to—and was most abjectly terrified that I couldn’t follow through with it, though every fibre of my being remained in far too much pain, (intractable pain, every waking moment, seemingly only from living,) to endure any alternative.

Because of that, I can’t help but suspect that most apparent suicides are secretly accidents in at least the final conscious half-second.

I’ve finished reading Marie-Louise von Franz’s Shadow and Evil in Fairy Tales, and it is dated. Jungians remain stodgy about gender binary, of course, but common terms in this text include “primitive”, “crippled”…and Franz openly admits to a childhood imaginary monster being human. Because Franz grew up in a neighborhood that very much lacked racial diversity, it seems.

Many other ideas contained in this text, I considered very intriguing and helpful. One of these being how the dead become evil.

…there is a certain amount of life energy in them which has not been exhausted but has been unnaturally blocked before the proper time. The clock’s spring has broken instead of running down, and that unexhausted life energy turns hostile (…) Therefore even people who during their lifetime were really good people and not possessed by evil, can, out of resentment at having been robbed of life, turn into such a thing if they are killed before their time.

That is why late antique invocations of [curse] magic always begin: “Oh, you gods of the Netherworld, Hades, Proserpina, and you the nameless enormous army of those who killed themselves, or who were murdered, or died before their time.” That is a classical late Greek invocation to be found in most of the magical papyri of antiquity.

I’d also told Cecil of my attempt to hang myself from the closet and a twisted-up bedsheet. There’d been a mirror on the inside of the door, and a wide enough gap around the door that the blue evening light could seep in, and I could watch me hang myself.

To Cecil, I’d joked that maybe a mirror does catch at some shade or fade of people, and maybe a future tenant would wake up in the wee hours of the morning, and move to the closet to get a cookie they’d left in the pocket of their trousers that they’d thrown in there, and when they’d open the door, I’d still be hanging there in the mirror, and they would see me hanging there…and reaching out and screaming, in uncanny harmonics, “My cookie!”

…Cecil didn’t think it was funny, either.

It wasn’t true, anyway; I hadn’t really wondered, until now, what sort of ghost I would have been.

To parse this phenomenon on a level of personality and egoism, the evil dead are jealous. To understand it on a level of egoless power dynamic, the evil dead are embodiments of an unlived life, the subtle psychic energy from that which was meant to be lived out and was not. They embody consequence, without interiority.

Almost a decade after the attempt in the closet, I feel fine. I feel happy! No invisible vice tightening around my skull. My ribs don’t feel like a knife rack. I’m not even wracked with anxieties as I was when I was a very small child up to my mid to late teens.

I did get around to proper Mirror Work, recently: looked into a compact that the Dierne Pallis held out to me and I found, at last—palpable venom and poisonous fumes, a ceaseless scream of raw pain in what sounded like my voice (but from the outside, so…not my voice like I know it), and an undertow of sorrow so forceful as to be inescapable.

To which I said, well, yes, obviously, I hope obviously—that’s me in that mirror, for sure. But there’s a bit more to me now.

I’ve lived out all that—or, a comparative lot of that…unlived (oppressed), unspoken (silenced) life.

No more hallucinated planets made of vacuum, or smoke serpents, or insect clockwork dragon…Okay, there’s a flint arrowhead welded to my fetch’s left hand that’s awfully opinionated for an imaginary inanimate object—but that’s just life.

My ghost would have had all the fury of all this unresolved.

I’m in love. This love is requited. I almost wasn’t alive for this. (She almost wasn’t, either, but declined to develop a concept of an afterlife as a consequence, so I wouldn’t presume to speak over that. She’s reading this right now. I love you, Bartie!) In Franz’s interpretation, my ghost would have carried this corrupted potential too: fears never soothed into strength and courage, a world of insecurities never steadied, joys never lived, discoveries never shared.

But when I used to hear such things from recoverees, about how great they’d noticed life could be with an attitude adjusted to “happier than suicidal” I could only take it as condescending glibness. The only response I could muster would be, “oh how nice for you.” Automated, not even lively enough to have a sarcastic grudge behind it.

So…maybe I can’t claim that we need ghost lore and fairytales about the dead, to express something much bigger than a mind can carry—let alone generate.

At this point I’d shoehorn other tidbits about ghosts that I’d picked up before reading Shadow and Evil in Fairytales. The Tiv people don’t appear to have ghost lore, as Laura Bohannan discovered in the attempt to retell Hamlet to her host family in “Shakespeare in the Bush”. Stephen Greenblatt’s “A Touch of the Real” was more about the culture, and especially the literature (nonfiction and fiction), surrounding ghost encounters in medieval Europe. That’s where I read it outright stated that ghost lore and Christian lore fuses divisively (against all my own intuitions of conceptual geometry): Catholic dogma allowed for the belief that spirits of the deceased wandered the earth and interacted with the living; Protestant dogma held that such apparitions could only be evil spirits in the guise of deceased loved ones. As tensions rose between Catholicism and Protestantism, someone could fall under the suspicion of being Catholic just by making a casual mention about ghosts as though they weren’t evil spirits, and that accusation would also come with not a small amount of political baggage.

…It used to be good enough for me that my family calculated every moment of my life as monetary debt—can’t kill yourself yet because you haven’t turned your education into a career, can’t cut your losses because therapy and psychiatry is expensive and we’re coughing up more than you deserve already okay?!

It was a revelation when I entered a discussion about negative reactions to suicide, and I voiced the standpoint I’d come to in the paragraph immediately above. A respondent turned it around with this idea: If I killed myself, even the threat of it in a mention of planning to suicide…it would cause the people with that attitude to question whether the calculated value of their own lives truly held a meaningful measure. To remove compassion from the approach to suicide (or confuse compassion with condescension) was a way to resist bearing witness to their own weakness. (Protective projection, maybe, on the part of us discussing this. I still doubt that threat of existential angst would endanger anyone who wasn’t, say, predisposed genetically to depression. Projection it may be, but it still saved me from internalizing an idea that wouldn’t ultimately have been helpful. I had made a foothold of it because it was unfeeling, at a time that my feelings threatened to fatally overwhelm me.)

Ghost lore could still factor as a thrill. Some Jungians I’d eavesdropped on lately mentioned an adolescent tendency towards fun fictional violence—as adolescence is a frequent breaking point of societal accommodations, leading to Shadow-possessed rebellion, or a fascination with unsavory ideas that an adolescent had not been allowed to explore—death, for one example, externalized as a ghost in a fictional way that could be mastered.

More mature attraction to ghost lore might have more to do with a grieving process. This isn’t to say the “adolescent” (not necessarily the category, but I haven’t figured out yet what would be) use of ghost lore is the wrong way to hold it, only that the same cultural phenomenon can have different significance depending on the developmental phase in an individual person’s life…or, indeed, depending on the culture.

With Franz’s interpretation…It’s weighing on me, the way it hadn’t before, the cosmically colossal loss that a suicide—even of a nobody like me, then and now, no cyclopes-badgering in between—truly is…when the (Jungian) Soul has an instinct for so much more to be lived out or lived down than the ego can own, especially in a mind of such singularity as a suicidal person’s. Stories provide—or, maybe at least to narrative psychologists, stories have provided—an intermediary for this sobering revelation (in my opinion, anyway—immensely sobering.)

For that, I can almost forgive the negligence of Franz’s Shadow & Evil in withholding judgment on this circumstance described: that it’s traditionally (not only commonly, but ingrained in lore as a trope) oppressed and abused people who suicide, having a communal Shadow laid on them in life, having to go through more of the same after death.

(…) there are many types of ghosts, but the worst are those of people who hang themselves. Generally these are the ghosts of women of poor peasant families who, if ill-treated by their mothers-in-law, or if hungry, or over-worked, get discontented. If they quarrel with their sisters-in-law, or are scolded by their husbands, if they don’t see any way out of their trouble, often in despair they will put an end to their lives. They take poison, or jump into a well, but most hang themselves, and such people make those awful ghosts. Our grandfathers say that the ghost of a woman who has committed suicide always tries to seduce other women, for only thus can it go to the Beyond and be reborn (…) and return to life. Until they have found a substitute they have to wander

This post from last year on Gods & Radicals, “Thinking About the Dead” has a more advanced commentary on this, that I like.

A Trick of the Light

The following entry may contain triggering material.

Last week, I was walking to work when it occurred to me how much warmer the weather was than when I usually walk to work. Like, the start of sweltering, which ought to be a season; maybe the other could be chilling. The personifications of time, that I consciously decided ought to be a thing about two years ago…for the most part have gone nowhere fast. I thought they’d be everywhere once I started being open to noticing them.

Captain Marigold does seem to come clearer around this time. I’d come to association the bright, hot, dry days with her. She’d crossed over sometime during the -ber months of 2014, though—I’d thought her up originally as a fanfiction character, like if Captain Hook had to contend with some cross between Pirate Queen Granuaile and Pirate Queen Alfhild. More pirates ought to be women. I was so smug that I knew the difference between mythopoeia and theophany, and then Marigold punched through my precious worldview. Since last year’s Sweltering season, she’s been overseeing the projectile part of my etheric weapons training.

At knifepoint.

And part of that was conjuring up images of corporeal offline people I hate enough to never, ever, ever want to see again, not even in imagination. Going full-on no-contact and avoidance had been infinitely valuable to recovering from them, even if I could never personally get a hang of repression. And Marigold wanted to bring them up.

“But it’s not going to do anything,” I’d reasoned to Marigold, and pointed across the grassy field. “These aren’t their real souls. Look, they lurch around like undead. It’s just images of them that I thought up because you’d asked me to.”

And the thing about spiritwork as an imaginary interface is, I guess it’s if I’ve had too much of some kind of Vitamin B, what’s imagined is vivid enough to have the same texture as the spirit world. Most people who’ve attempted blank mind meditations might have noticed an internal chatter that originates internally but isn’t within their control; and the same goes for some unforced daydreams, so the appearance of autonomy could very well be just that, appearance.

Anything I thought I was doing before on this plane that made for wishcraft could be headspace stuff,” I realized. “A while back, I’d read of one witch that cast curses, but also added that conjuring up a duplicate of someone you hate so as to have at them was safe and a valid form of inner work to get over it…what if it’s always the latter?” I might be mildly embarrassed if that were the case, having kept a wishcraft blog for three years or so, but I’d really rather know.

Marigold didn’t sigh or smile. She only said, “Are you going to overthink it, as you always do, or are you going to start shooting?” She wasn’t being Socratically ironic in that question, she was being rhetorical.

AT KNIFEPOINT.

Actually, that’s a gladius.

Pirates. The last time I’d tried to bring up a serious topic to have a real conversation about metaphysics with Foxglove, he’d rolled his eyes and jumped right overboard. But I later described these training sessions to him as ‘a very lenient level of personal hell’ and I think he knows better than I do what Captain Marigold is like. I catch a glimpse of them both in the same space sometimes, and get the sense that they’ve been affable nemises since before I was born.

*

Since then, I’d been re-reading Joan Chodorow’s compilation of Jung On Active Imagination more slowly and carefully. Dangers to engaging in Active Imagination without the guidance of an analyst included getting caught in a sterile circle of one’s own complexes, or aesthetic phantasmagoria by which nothing of value is gained.

The forefather of modern psychology brought in a great deal of baggage. The way I’d heard it told, Sigmund Freud’s first protege was Alfred Adler, who I’d heard and read next to nothing about despite Adler possibly having stumbled upon a bridge between some of the more prominent ideologies in contemporary Western thought: kyriarchy and individualism. Freud had a very specific and rigid idea about sexual repression being the source of so many mental disorders. When Adler, who was supposed to be Freud’s younger duplicate (according to Freud), went up to Freud all like, “Hey, Papa Sig…I married this nice Russian anti-capitalist feminist lady and she has a lot of good ideas about societal conditioning that I want to adopt into the psychoanalytical framework we’re making, you know, broadening the scope outside of sexual repression could be insightfu—” But Freud’s eyes began to glow and wreathes of flames erupted from between his teeth as he shouted, “ADLER YOU ARE DEAD TO ME.” And Adler beat a hasty retreat. But because I’d read so little of Adler, I can’t speak to how traumatizing that might have been.

After Carl Jung proposed religious systems of symbolism as a possible alternative, Papa Sig’s eyes again glowed and he breathed fire between, “JUNG YOU ARE DEAD TO ME” and Jung fell into a bleak depression after the breakup. The experiments with self-treatment, that Jung began during that time, grew to define his career.

I found myself amused reading of one daydream of Jung’s in which he found himself on a battlefield, with Sigmund Freud riding a chariot down a mountain towards them. A comrade-in-arms of Jung in this fantasy, described as a “brown-skinned savage”, hurled a weapon at their enemy, it met its mark and imaginary Sigmund Freud fell imaginarily dead.

Another version of their falling-out that I’d read of involved Freud psychoanalyzing Jung and coming to the conclusion that Jung was conspiring against Freud, and Freud believed that action must be taken in accordance with that—even though, especially as, that impulse Freud “found” in Jung must have been entirely subconscious. I imagine Jung trying to convince himself that Freud’s entire framework was not, and had never been, real or right at all in any measure—a way to protect and purify oneself against emotional abuse, and recover oneself. Freud got everyone pegged wrong, some forefather of psychology that is—how preposterous that Freud would find any fibre of disloyalty in someone who admired him as much as Jung—

And yet, there Jung stood in the daydream of a battlefield, and there imaginary Sigmund Freud lay imaginarily dead as though Jung’s subconscious were trying to tell him something. The way Jung interpreted it was this: though this imaginary corpse borrowed Freud’s face, the archetype was that of the patriarchal warrior, and while having a mentor figure had helped Jung to mature, it was time for that notion to “die” and for Jung to finally grow up into his own prestige. (Especially as the same archetype allegedly remained very much alive in pre-Second-World-War collective psyches…and created Nazis. I’d read it as fitting, then, that the personage to deal the killing blow in Jung’s mindscape was dark and “savage” although I haven’t read more on Jung’s analysis and relationship to this comrade-in-arms yet.) I read it as the chariot-riding archetype was too pure to be human (so no human can become an archetype unless they are repressing a lot), and too different from Jung by nature even then for Jung to ever have a hope of growing up into the doppelganger of Freud that Freud seemed to have expected of his proteges. (Hi, Adler.)

*

Archery lessons were a massive bore, to go through and to write about. Still, eventually, gradually, I started to feel better. Marigold and the sessions became gradually less vivid. I still don’t have a bow of my own. The imaginary inanimate object remains very opinionated as it explodes randomly into arrows (randomly, except when I’ve borrowed Marigold’s bow.) Lately, Marigold’s been back around, but hasn’t bossed me around to do much. Will follow where this leads; not to be an ingrate, but Marigold never struck me as the type to show up or do anything just because (though I’d never personally had to pay any tithes yet, nor have I borne witness to any of her plans coming to fruition. Maybe it’s too big or on a need-to-know basis.)

Symbols: the Labyrinth

So it took some explaining for me to appreciate the labyrinth. Mazes, I could understand the appeal, as those “require acute attention to choices at intersecting paths and a high degree of critical awareness to remember detours and dead ends. Mazes do not grace those who enter; they taunt, tease, and challenge.”

Cretan Labyrinth

Cretan Labyrinth (pg. 81) “Exploring the Labyrinth” by Melissa Gayle West, Broadway Books NY 2000. ‘It is the oldest (…) form of the labyrinth, dating back at least 3,500 years.’

Labyrinths, in Melissa Gayle West’s case studies, do grace those who work with them. They provide a time and shape-of-space set out for liminality, for psychic (as in, pertaining to the psyche) development—yet, the structure is open enough that anyone can travel in them at their own pace, in their own way, with any approach they have. I find two common processes in the cases included in Exploring the Labyrinth: The first is those who have been harmed and hardened (into “small selves” as West describes it; having created a complex or intense focus around a specific issue) travel a labyrinth and gain a bigger perspective through that walking meditation; that intensity, or that defensiveness that precludes healing, tends to soften and release. The second are labyrinth-travelers who enter too lofty, too cerebral, and find the travel grounding—the labyrinth has an opposite effect of focus and integration.

Mentioned often, too, is the benefit of Second Thinking. If a traveler can catch how they approach the labyrinth, they can examine how they approach life. I’d considered labyrinths pretty but pointless. From entrance to center and out again, it’s too easy to be worth working with. It took more explaining before I could appreciate it.

Three labyrinths featured in the book included the organic, off-center Cretan labyrinth above, drawn from an equal-armed cross axis. West presented the Chartres labyrinth below as an innovation in labyrinth design that diverged from labyrinths throughout world history, but I can’t help but expect more than a surface scratching of art or architectural history would show the lineages and influences of it.

chartres

Chatres Labyrinth (pg. 96) “Exploring the Labyrinth” by Melissa Gayle West, Broadway Books NY 2000. ‘Named after the permanent stone labyrinth set into the floor of Chartres Cathedral in France during the thirteenth century…It is a distinctly Christian pattern, an equal-armed cross visible in its elegant layout.’


The third labyrinthine pattern, a simple spiral, made a brief mention.
spiral

Ibid.


My one’s more like a spiral, really, as the path doesn’t ebb to the periphery before flowing towards the center again. It just zigzags towards the center.
combinationlock
While the full-sized labyrinths are meant for walking meditations, I very much like the idea now of having a hand-held labyrinth to work with. The meditative mind state can be done while the labyrinth-traveler traces the path with their fingertips. Made out of pottery clay or salt dough, that would provide a tactile component, and of course the same time and symbolic shape-of-space that labyrinths make, to invite or facilitate that meditative mindset.

Mixed Metaphors, A Ramble

The following entry may contain triggering material.

Still letting percolate how to shmoosh together Fairy gold (which is traditionally and in my quests A Bad Thing) with Alchemical gold (which is supposed to be the best thing, and in the context I go well okay then.)

Mostly, though, I realized that in all my excitement about Proscenium, and stage magic, and pledge-turn-prestige cycles, and how spatial that poesy is and shmooshes well with Fairy chess…I was developing a new language for the exact same ideas that I ought to have been working on all along: proper Glamour and correct Spelling. Here’s a relevant link to introductory linguistic semiotics. I haven’t read all the way through it; I’ll get to it!

I’d been allocating some one-on-one time with every guiser I’d ever met, or at least to pace and focus my consideration for why we would be (or have been) in one another’s lives.

Cookson from Captain Foxglove’s crew told me that I’m too angry for him (Kelp Cookson) to want me to get to know him better.

So for once, I thought to work on that, because I’m so reluctant to let go of anger that tells me enough is enough after a lifetime of being some weak, kind, doormat of a person…and I still don’t feel that “not being enraged and embittered anymore” is a choice that I consciously made, with step-by-step instructions to repeat next time anger starts giving me acid reflux and a pirate’s vocabulary. But I feel much better now, and I think it’s going to last.

Next on the list to plan some quality time with is Queen Myrtha of the Wilis—who only shows up when my anger has evaporated into this unadulterated, concentrated venom that even I sometimes mistake for calm rationality.

But, the Queen’s been around several literal hells of a lot more often than Kelp “Simmer Down” Cookson…and when it’s mattered, too. But the timing’s wrong, but I should practice making things I think and want to happen actually happen instead of leaving it always up to timing, but I probably should, but I really shouldn’t, but I want to not want to…eh, she showed up in the Otherreal for the first time last December, so maybe she’s a seasonal guiser.

An Expeditious Retreat

Rose ought to have a better introduction than this. I was in my mid-teens, mulling over gritty reboot fairy tale retellings that I could do, and she was one of them. I could have sworn that I’d seen Rose as Chelsea Hobb’s Gerda in The Snow Queen (Hallmark, 2002) but apart from the ringlets she’s given when she’s trapped in springtime, there’s not much resemblance. Which is odd, because her actual face and body keep changing whenever I meet her.

The drawing above is of the youngest-looking version of her I’d encountered, who seemed to wear a specific world all the time.

And during our most recent encounter, I was going to suggest that she leave it.

labyrinth

Tuning in to my surreal fetch sometimes comes with senses, attitudes, or memories that my corporeal and sidereal fetch don’t have. Sometimes it manifests in feeling as though a guiser I’d never seen before is a very old friend. Other times, it manifests in my freezing up in the middle of doing something that I surreal-y know how to do without thinking, because I’m sidereal-y thinking about how I do it (because that part of me had never done it before.)

This time, it was an information dump.

I’d taken it as a given that the center of the red brick labyrinth is a walled garden where Rose would sit with her tea set. And I can never find the door. If she randomly wants me to join her for tea, I am randomly summoned there for tea and randomly banished. We never do anything else.

This time, I managed to walk in uninvited, and give a stern warning about someone else who might walk in uninvited; and this was my own fault, but this was how I could minimize the damage, if she would cooperate by evacuating then she’d be one less possible—

What? My corporeal-sidereal mind pulled away from myself a bit. What did we do this time? What did you do?!? This isn’t happening.

That’s an exaggeration. I didn’t answer, because I didn’t ask. I only felt moderately confused by myself.

“Nobody can find this place,” Rose said, meaning that she wasn’t leaving. I’d pointed out that the labyrinth remained open to the sky, but…she had a point. One entrance, one exit, one winding path, and I’d still manage to take a wrong turn. Rose knew this place better: the place did whatever she wanted to whoever else was unfortunate enough to wander into it. Of course she was safe, here.

Then Captain Foxglove strode in and said, “I’ll escort her.”

I might have gesticulated between us and the walls, bleating, to try to communicate that if I could find the center garden of my own volition for once, and Foxglove could do the same and they hadn’t even met, then the security wasn’t very good anymore.

On the other hand, Foxglove and Rose kept looking at each other with expressions that at least told me that they knew one another very well.

So Rose listened to Foxglove after he’d made the exact same report to her, and suggested the exact same course of action as I had—and without any argument at all Rose wrapped up her own tea set in the tablecloth and looked to the bottom of the stone bird-bath for pearls.

“There are seashells in almost any harbor we stop at,” Foxglove told her, though he’d looked terse, he’d kept his tone encouraging. Rose decided not to waste time on the pearls. She had a flower crown that she’d reached up to put on Foxglove’s head. It got there; they’d both looked so solemn about it.

I could make sense of it. Before, I thought that I’d found Rose by a slightly different form accompanying Captain Marigold, and when I’d looked in that one’s eyes she appeared empty of any mind. I wonder now if this exact moment was always going to happen, so that the shell that followed Marigold around would be ensouled by a real Rose. Maybe the shell was a sort of ghost from the future.

I’d stopped this Rose, right before she left, to look in her eyes. I couldn’t. It was like starting mirror work, and all I could see was a mirror. This Rose wasn’t empty that I could see, but all I could see when I looked at her eyes were…eyes.

Despite being sort-of around for a decade, even despite all the tea parties…this was, really, the first and only conversation-like exchange that Rose and I had ever had. I’d described her before as “too obstinately enigmatic to blog about” and maybe that is the thing: she’ll always have a labyrinth of some kind around her, maybe she is safe and content by nature, inherently inaccessible, and I had made some grave mistake in sending her out into the world. Even if she were going to bring life to Marigold’s pet ghost from the future.

Nah, Foxglove’s made the grave mistake, if that were the case, because he’d said the same thing but she listened to him.

Besides, one of Foxglove’s crew had eyes pop out of sockets at the end of accordion springs when I looked into them. Had they been coil springs, I would have guessed that mechanism were built into such a guiser-body to facilitate expressiveness in the eyes. That they were accordion springs swayed my suspicions more towards that every otherworld I quest in is potentially trolling me.

So they both left. Somehow. I didn’t catch them going over the wall, but the center garden of the red brick labyrinth has no door.

Ten Thousand Spoons When All You Need Is A Knife

The following entry may contain triggering material.

I thought I’d been here before, here being the meadow just within the Gates of the West. It was an overcast day, and I wondered if some sympathetic fallacy would at least spare those from being sung out the door under moderately sunny skies, by chirruping tiny birdies. The Spider Lady’s eyes were like eight dark glass marbles of varying sizes pressed into dough, over a beard split by the make—and stirred by the movement—of eir fanged mouth. Eir limbs appeared human: knees were human elbows, feet were human hands. Eir elbows, too, were human elbows, four of these human arms ending in human hands that—

—cast the razor net.

My beloved became a collection of net-hole shaped pieces as the threads fell through him, though it can’t have been heavier than a cobweb. I suppose the physics of the otherworld, the metaphysics, are largely signifiers. I thought I’d been here before, although hadn’t, I thought I’d watched this happen once or twice before—not to someone I knew who blessed the air with every exhale, who would stop my chest from aching just by consenting to my holding him in my arms. Of course this was “different”, an “exceptional case”, of course: I was upset.

Pieces of him fell bloodlessly, though, which my imagined memory compared to the others who’d burst—tellingly.

Cobb reeled in eir net in the moment it took for me to throw myself onto his body parts. They sunk into the ground, and I turned around up to cry to the Clarene, bring him back, heal him, there wasn’t a drop or sliver of the vile stuff so how could you—

The Clarene looked on with human eyes, set in a darkly beautiful human face, under though mostly in front of a magnificent frizz of human hair, anything other than anthropic or able-typical of her body swathed in a gown made of celestial eclipses. When she spoke, her tone was blunt as a lightningbolt. “What will you pledge in exchange?”

Nothing! I’d answered, because I had nothing suitable for pledging, which itself is unsuitable for pledging. I lose my mind fairly frequently, so I might not have had it with me. Despite my crying over somebody else getting hurt, I was sure I was heartless. I couldn’t pledge any service with a lifetime of learning that I’m useless. Mostly, though: Do it, or don’t do it! But you know what’s right!

If that’s call to close the gate against me, so be it. Even in my despair and desperation, I trust the Clarene’s judgment.

The Clarene melted away—into a more godly-cosmic form, as I can only imagine one does when one is a god—or summoned away maybe? I don’t know.

My beloved resurfaced from the earth, whole and sleeping.

Before I could thank the gods, though, the Spider tsked and threw the net again. I heaved his body away at the threat of eir movement, too slowly: a thread caught on his left forearm, and the hand fell away in chunks. Those didn’t sink into the earth this time.

“Cobb!” I shouted eir name, or at least what I called em. “What the Hell?!?”

The Spider’s marble eyes betrayed no emotion, no reason. I held my beloved tightly—his back to my chest, like I learned in swimming class in the human world, to rescue someone who doesn’t know how to swim—and found Heartwrench’s hilt had appeared, between my hand and his chest. I’m not supposed to still have this.

In any case, the Spider had reeled in the net and made to throw again. Of course Heartwrench’s blade was out, too, and if I only thought through the sword enough then—

—there. Like a bubble of glass, or like an air bubble in water, the rind of a sphere appeared around us. With my free hand, I tugged at his jeans, to try to get his feet inside the sphere. Heartwrench’s spheres are only permeable to those and whom I treasure. Usually. A knowledge dusked on me then: Heartwrench’s sphere couldn’t stop Cobb’s web.

I suppose the physics of the otherworld, the metaphysics, are largely signifiers. Heartwrench makes bubble-shields…and most of the bubbles I’ve taken as a reference, the ones from the human world, those can float. Heartwrench and I had never done that before. Usually, though, if I only think through the sword enough then—

We floated up, and away. Cobb didn’t even look up to watch us go.

~

Even in the otherworlds, my emotional metabolism is too slow. I was still crying in despair when really, I should have been relieved. I didn’t know where we were headed, on what currents we coasted, through the overcast day into clear late afternoon. I caught sight of a dome in the sky, the average size thereabouts of an airport near a capital city, stained glass in no particular pattern, something like stairs sort of notched around it coming from and back around a single wide balcony.

Princess Irene waved us through the balcony opening and into the dome. A description: anthropic, except for the butterfly wings; about as tan as I am, but with slantier features (more refined); hair that could be described as a pixie cut; and wearing something between a toga and a Regency-era gown made out of gauzy veils, so a simple cut and line, but as many hues in the layers as there were in the dome.

Heartwrench and I dissolved the protective floaty sphere over a divan, where I laid his body. Maybe I shouldn’t have been relieved: the color was draining from his body, his hair, and even his clothes.

“He’s not going to die,” I said, although I didn’t know it until I said it, and then I spontaneously knew a bit more: “He won’t wake up, either. It’s not really sleep, it’s…a curse, you know, like in modern versions of the fairy tales he…”…needs somebody who loves him truly to kiss him and wake him up. I sighed. “We’ve got to summon his husband.”

Irene shrugged as if to say, “If you’ve got to, you’ve got to.” Then she wandered back to the balcony.

I might’ve been misled about high fantasy adventures. In the ones I’d read, usually, everybody rushes to help the hero and they fret anxiously until it’s done and okay (especially hospitable bystanders.)

In my experience with the otherworlds, if you know enough about somebody—who’s subject to the metaphysics of that world, anyway—and you find a space that has the potential for that somebody to be there, and you project your own expectation onto it…then they’re there. That’s what I call summoning.

Sometimes you don’t know them well enough. Sometimes there’s no potential to be intuited. Sometimes we don’t know how to project that expectation. Sometimes, I’m sure, they just don’t want to be there. So then they won’t be there.

The husband strode through, too swiftly and determinedly for me to want to slow this with more description—I tried to say how glad I was that he’d come over, but he glanced at the stump of our beloved’s left arm and snapped at me, “Haven’t you done enough?”

I backed away and went over to the balcony.

Epilogue

I shouldn’t still have this, I thought to Heartwrench, and at the corner of the balcony stood the one who was supposed to have it. She was a warrior princess, anthropic, with a quick smile, armored and caped like the Ophelene, but white—for that moment. The next moment—even before I could say hi or how are you doing here—she began to dissolve, starting from the head, into silvery glitter that fell upwards and vanished. A single orange-red, translucent stone appeared, buoyed up in the last curtain of glitter.

I took it and held it into Heartwrench’s hilt until silvery thorns grew around to hold the stone, because that seemed to be the thing to do. From Spenser’s Faerie Queene (Book II, Cant X…okay, the real source material is Shakespeare’s King Lear) I’d called the princess Cordelia—though perhaps she was really Carnelian, some new Crystal Gem from Steven Universe.

So anyway, that was odd.

Entheogen: Happy Pills 2/2

The following entry may contain triggering material.

Previously on the Codex of Poesy :

After a week, if I didn’t have too bad a reaction to the meds, I could up the dosage to a whole pill. It would take about three months for the brain cells to unshrivel from the damage of depression, and then I’ll have the energy and clarity to do what I used to be able to do. I shouldn’t expect effects right away. Three months.

The sort of proto-wishcraft I practiced at that time focused on empirical evidence of psychism, with the idea that the mind was the key. To clear the mind of the usual chatter would invite intuitions, so fellow practitioners claimed. Intuitions could tell us the number or suit of a playing card before we could see, or the thoughts and emotional states of the people around us. Willpower directed forcefully through a clear mind could move physical objects.

I could never manage any particularly consistent outside effect. Sometimes, I’d dabble in guided imagery, which would never yield any insightful result. Those quests would usually go in some nightmarish, unhelpful direction. As for within: I could clear my mind, though. I could notice and simply be with the pain, and my mind would go silent, no images would come to mind…and, it was something like peace.

This did not improve my attention span, when depression began to dull the world. This did not hold my thought process high as the structures crumbled into ruin. This did not improve my memory, in those exercises to clear the mind, I may only be now but everything else carried over pains and troubles of the past.

Myself out of meditation knew that my health was failing and I was losing my mind and I’d never meet my goals, the way everything was going. So, I started on what they gave me.

The next time I tried to sit still and clear my mind, the usual chatter would not stop.

That one thing I could do from years of regular practice, now rendered impossible by a pill the size of a rice grain.

It wasn’t so devastating. Once I decided to act to change everything, my mind, my life, my family’s habit of alternating abuse and comfortable silence, I can hardly complain about the changes.

So, I allowed my mind to create images around the chatter. My mind chatter was like that of a crowded, noisy room…like a restaurant, I thought. I saw the milky sunlight through the windows, the swatches of color of so many people’s clothes, heard the chatter and the clatter of metal utensils against porcelain. I could shift my attention to the tablecloth, and the backrest of the chair, and the noise wouldn’t go away.

I didn’t quest in a way that occupied my Surreal Fetch, back then, I would always be watching my Surreal Fetch from somewhere outside myself—another reason these quests annoyed me. This time I was embodied, I knew, seated and smoothing over cloth.

Then I saw myself approach my table, and draw a chair to sit across from me, and sit and watch me. Ey was ready to listen, and to talk.

Much as I loved biology class and the neuroscience unit, and the security it lent me in that I was doing a factually correct and right thing, it’s not what prepared me for the shift in value priority: Forget empirical evidence of telekinesis. This was our life on the line, so now this was the Work we’d do.

~

The skin over my sternum felt as though someone had rubbed mentholated ointment over it, though I was certain this wasn’t the case. When I’d looked up models of the Fetch in other traditions (Otherreal, or Sidereal) I wondered if this were some vortex of compassion activating. Incidentally, I was beginning to care again, about wilting plants and injured animals and what people anticipated or loathed.

Eating used to be like arm-wrestling with myself, the defending champion you damn well know how your mother resents your eating your life away since you were born and now she knows that job security is a lie she hates still having to feed you because she’ll never have a good life like she did as a rich kid, the challenger of but I’m going to faint and they’ll notice and fuss and blame me (which might not be unwarranted, but certainly doesn’t inspire more positive changes) and I’m shitting bloodclots from the ulcers.

If I could muster up the temerity to request therapy and psychiatric medication, I could eat. The oils around meats tasted awful to me, but fine to everyone else who knew it to be my favorite. Eggs and dairy products took on a cloying texture that I couldn’t bear. Fish was barely tolerable. My psychiatrist told me that she’d never heard of a side-effect like that.

I went vegan, and carried it on for far longer than the aversion and tastebud weirdness alone would have kept me away from real proteins. I considered the lifestyle change a result of some spiritually superior calling, which I’ve got to admit was a huge mistake.

~

I chose life. My birth family really hammered in how badly I should regret it. It surprised me that I could enjoy something at all, so maybe when I would have taken a silent satisfaction in an outfit I liked, I’d smiled. “What happened to my kid?” My mother snarked, “You’re smiling and eating and interested in fashion.”

“It’s a lot sooner than the doc said the meds would work,” my sibling said pointedly. “You’re just looking for attention.” Drama-mongering faker isn’t really sick. After our mother died, she tsked at my continuing to purchase antidepressants, saying, “I’ve spoken to friends of mine who went through depression. You only need to take meds for one year, then you’re fine, and you’ve had your year.” She’d never studied psychiatry. I’d doubted that she’d even taken a proper survey of depressed friends, plural, it was probably just the one whose personal experience she’d consider the most convenient to impose. “I respect what you’ve gone through,” she lied, “But you were a bitch. You’re not allowed to get depressed or eating disordered again. I know I’m not allowed to say this, but your not-eating thing was a choice.”

~

I’d described to my therapist long ago what the mind fog felt like, like white mold growing on the inside of my skull so I could only find the fuzzy outlines of my thoughts. She suggested, knowing what an iron-cast meditative practice I had, visualizing a way to make that mold go away. I’d made a metaphor out of my experience, couldn’t I make an experience out of that same metaphor? No. No, I could not. It was neurological, biochemical, not a matter for the quests. I’ve read that some people find half an hour of meditation effective in doing away with what they describe as brain fog, and I envy them.

I ran away from home to home and to almost homelessness. I had a roof, at least, and walls, but could only afford to eat so little that my fingernails began to splinter as they grew from the quick. The brain fog came back. I could have a whole meal for slightly cheaper than a single antidepressant pill, and ought to have the meal instead, if the brain fog was from malnourishment rather than depression. It was that sort of way of working within financial limitations. The fog felt familiar as depression, so I took the meds on an empty stomach. I needed a clear mind to work.

Besides, a fusion deity of Hela and the Morrigan was wandering around my room, and I was beginning to get the sense of what She really meant. I named her Lady Hawthorne.

Nausea had always been a side effect, but this time it was surprisingly incapacitating. It’s amazing how nauseous a body can get without vomiting even stomach acid, and by “amazing” I mean “torture” and I can’t brag about it as a feat, really, it’s more like a betrayal: How could my corporeal fetch do this to me. Why would my corporeal fetch do this to us. I wanted to die. Once it passed, I decided against taking the other half of the pill when I was supposed to, and I still wanted to die, but at least I wasn’t nauseated.

Before it passed, I sat on the floor and leaned into the corner, trying to breathe as slowly as I could without fainting, because inside movements made the nausea wane, which meant it would wax full right in a trice. I was trying to keep the nausea steady until it flowed away, like trying to find a part of a river that flowed without ripples.

I’d been reading about the Ophelia, a modern god of rivers (of course: the greatest civilizations in human history formed around a river or two), time, death, and depression. Depression had taken on a broader definition to me: the cold and hollow exhaustion of anxiety, the eroding attention and memory, the restless slumbering.

The suicidal ideations, that’s what Lady Hawthorne attended to. The Morrigan aspect of this fusion god represented the battle, the aspect of Hela (from Proto-Germanic *haljo “the underworld” … Literally “concealed place” compare Old Norse hellir “cave, cavern”, from Proto-Indo-European *kel- “to cover, conceal”) represents the hidden nature of this particular kind of battle.

When I thought about the Ophelia as a god of depression, this included the recovery, no matter how nauseating. Time and death, too, it occurred to me had life as an integral part, at least the way my nascent headcanon of the Ophelia claimed. Should I die of natural disaster, injury, illness, or age, I expect to glimpse the Ophelia in that last moment. If I kill myself, I’m the Helrrigan’s.

And if I starve to death in self-imposed poverty rather than eating disorder comorbid with obsessive compulsion (or depending on who you ask, choice)…? Eh, how many angels can fit on the head of a pin.

They were both in my room then, new gods perhaps summoned by new rituals and new ways to travel so far beyond your ken into the realm of horribly wrong. We three got through it all right. We’re still getting through it all right. All three of us, around this.